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| All in One. (c) Li Chen, 1998. www.lichensculpture.org | 
I admire the husky bulk of his forms, combined with a smooth graceful texture. It summons the feeling of strength and gentility in one. There is a sense of wisdom and compassion in the faces, mixed with a sense of whimsy. Li Chen perfectly communicates the contemplative demeanor.
His website gives some more information:
"Artist, Li Chen was born in central  Taiwan... Li Chen takes 'Emptiness'’ as the important concept in his  creative aesthetics. 'Emptiness' and “Void” are important ideologies of  Buddhism and Taoism in Chinese culture. 'Emptiness' in Buddhism does not  mean 'Nothing', but a huge and quiet wisdom state of birth and death...  the sculptures convey sweet, romantic, happy and satisfied spiritual  concepts. Just because of this, even though some of his works are very  huge, they don’t appear oppressive and heavy... Furthermore, Li Chen  even can make breakthrough on the existing style of Buddhist sculptures  over thousands of years. He changes the thick and full Tang Dynasty  (A.D. 618–907) style Buddhist sculptures and the pretty and elegant  spiritual and image characteristics of Song Dynasty (A.D. 960-1279) and  makes the faces and lines of his sculptures extremely simple. He  extracts the elements of China’s five thousand years of history and  culture... He successfully combines classical and contemporary  perspectives and makes his works have unprecedented unique models and  shapes and endows new life to the oriental sculptures." 
Li Chen has shown all over the world, and it seems his work was shown here in Houston at the International Fine Art Fair in 2002. I hope I'll have the chance to see it sometime in the future. I recommend checking out his website at www.lichensculpture.org to see more of his work.
 
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